So
Leo Cooper's production of Jack Sheldon's
work is especiailly welcome. As the title
suggests, it focuses strongly on the German
military effort on the Somme, from the
first moves until the conclusion of the
bitter fighting against the Allies in
1916. Jack's research has been most intensive
and results in an impressive work. He
quotes from many memoirs and notes of
individuals, war diaries, operations orders
and other first-hand sources.
In
a sense, the story is already familiar:
the experiences of soldiers were pretty
much the same on both sides after all.
But the 1916 Somme takes on a new meaning.
The development over many months of incredibly
strong trench lines and fortifications,
and the inevitable confidence that this
engendered in the troops that would need
to hold on, sets the scene.
After
that, it is all covered, and is illustrated
vividly by the voices of those who were
there. The ferocity of the preparatory
British and French bombardment; the comparative
ease with which the initial attacks were
defeated - and the respect that the Germans
felt for the raw bravery of the advancing
lines; the hasty and often terribly costly
counter-attacks undertaken to comply with
orders to give no ground; the ceaseless
drumfire of British artillery and the
ever-present danger of infantry attack;
the misery and utter fatigue of fighting
in deteriorating weather.
Modern
British historians in general argue the
point that the Somme was a key phase in
a costly learning curve that eventually
won the war, and that the German defeat
really commenced in the mincing machine
on the Somme. This book goes a long way
to suggest that the German army was -
despite losses, chaos, pain and privations
- stilll in good heart and fighting order
at the end of the year.
I
found the appendices on German ranks and
army organisation very useful indeed.
The
book is well produced, and carries some
very good and unusual B&W photographs.
The single map is amateur to say the least.
But
I do have one complaint. The book is very
difficult to read! Not because of Jack
Sheldon's style or the intensity of battle
narrative and unfamiliar place names.
No. It is simply because the publishers
chose to use a typeface font called 10
point Ellington. It is very narrow and
upright and I presume was chosen because
it resembles Germanic scripts of the period.
It made my eyes hurt: after a couple of
pages I needed a rest. It is a shame,
because it detracted from what is otherwise
a splendid book. |